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Includes the dub.
File list
[Commie] your name. [BD 1080p AAC] [1D072CF2].mkv (5.7 GiB)
>This was encoded from the Italian BD release (both the best quality source and the correct framerate unlike most of the BDs that have been released), and this release includes the dub with “English” songs (enjoy that if it’s even possible).
> why is everything at 23.976
NTSC, and because there may be some (old) audio/video peripherals that don't play well with true 24p content.
Also most (BD) encoders don't know what they are doing.
i see, so what fps do the bdmvs play at. are they sold at 24 then converted to 23.976 because 'encoders'. or in this case only italians know their stuff?
> It is actually is determined by physics and it dates back to cathode ray TV's. The electron beam is scanned across the screen in two passes. It first scans the odd pixels and then the even pixels. In North America TV was broadcast with 525 horizontal rows. Which means each scan did 262.5 rows.
> In North America each TV channel was given 6 MHz to broadcast it's programs, of which about 4.5 MHz was usable. Picture was sent, and then a small gap and then audio was sent. When color programming came out, they had to somehow fit the color data in between the picture and audio.
> The color signal was interfering with the normal picture. Using some complicated physics, you can get rid of the interference if the gap between the picture and color and the gap between color and sound are both odd integer multiples of the horizontal frequency divided by 2. Simplifying the expressions, you can find that you need an integer multiple time the horizontal frequency to equal 4.5MHz.
> So, going back to our 525 rows. Your horizontal frame rate is the number of rows times the frame rate. So, we need a number that when multiplied by 525 becomes divisible into 4,500,000 (4.5 MHz). That number turns out to be 29.97. This is why TV is broadcast at 29.97 FPS.
> Okay, now with that out of the way. The 23.976 comes into play when converting from the 24FPS that film cameras use to broadcast rates. 24x29.97/30=23.976. This is called a three-two pull down. Basically they are manipulating the frames in a way that is undetectable to the human eye so that they can match the frame rate of your TV.
> ETA: This might seem like it doesn't add up so I'll add one last step. 23.976 happens to be exactly 4/5 of 29.97. These 4 frames can be stretched into 5 frames because of the way TV images are produced, and that is what allows the movie to be broadcast in 29.97.
Just google'd it
>so, Italian BD’s frame rate is 24?
obviously
>Do you have a source for that herkz or what made you come to that assumption?
well, the master is 24 fps according to the italian company that released this movie. there's also some pictures of the japanese production of the anime that show them working on it at 24 fps exactly.
>why would a film ever be produced at 23.976
i mean, most of them are. this is the first one i've seen that isn't.
>all is left for me is “koe no katachi” and i can die in peace
better just die now because we're not subbing it
>why name it “your name”, everybody will search for “tkimi no na wa” anyway
fuck weebs. the english name is far more well known at this point.
i'll think i'll give [Commie] a chance this time
i've been waiting for a good-quality release of this shitkai movie anyway(even the director himself started hating it recently)
lol all movies are produced at 24 fps
it's just that for some stupid reason 23.976 became a standard for blu-ray, so everybody is releasing in that framerate (with some exceptions, of course)
if you care so much about correct framerate, why not release everything in 24fps? modern audio resamplers are completely transparent, so there's really nothing against doing so
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